MERRY CHRIMBO!

Be good to each other and watch out for Auntie Jean.  She's pickled and hasn't even opened the gherkins yet!

The Bat Triumphant! Krakos the Egyptian Ace Hart The Atomic Man! The Tornado! TNT Tom! Dene Vernon!

All Black Tower comic albums (that is A4 format) are in black & white.  Once you've had black and white you won't go back to colour, baby.

BTCG has specialised in presenting original material covering super heroes, crime, adventure, sci fi, horror as well as illustrated prose -not to mention ground breaking books on "world mysteries" and wildlife.  Oh, and even a huge book of interviews with comic creators and publishers.

All the books are, naturally, available for overseas licence -but we cannot translate work: that will be up to any licensed publisher.

What follows is a brief glimpse at some books but you can visit the online store to see more details and books at:

http://www.lulu.com/spotlight/hoopercomicsuk

One of the first titles to see print in the new comic album format (A4) was The Bat Triumphant! This saw the complete story, begun in Black Tower Adventure vol. 1.  William A. Ward's long lost 1940s character once again saw print as he fought a host of  enemies in an attempt to reclaim his homeland.




And while The Bat may have fought fist and nail to reclaim his homeland, another 1940s Ward creation, Krakos the Egyptian, seemed far from willing to claim a new Egyptian Empire as promised to him by the Gods.  Tackling a number of foes and even encountering the Many-Eyed One, Krakos turned his back on the gods and the final panel of Krakos -Sands Of Terror, delivered a true twist!


And if there is one thing "Herr Professor" loves it is discovering and presenting long lost UK Golden Age (1939-1951) comic strips and characters from publishers such as Gerald Swan, Foldes, Denis M. Reader, Cartoon Art Productions and others.

Scanned and restored as best as can be considering the poor print quality of the rationing years -especially red, orange, yellow, blue and purple ink printing!

Ace Hart The Atomic Man!  The Tornado!  TNT Tom!  Dene Vernon!  Acromaid!  Cat-Girl! Bring 'Em Back Hank! Robert Lovett:Back From The Dead and so many other action heroes and humour strip characters -William A. Ward, Jock McCaill and a host of known and unknown creators contribute -either in single volume " Black Tower Gold" albums or all six collected into the 400+ pager -The Ultimate British Golden Age Collection!

Ingy Roob...and Stretchy, of course!

From Swan's Coloured Slick Fun No. 71 which was around 1947/48(?).  When I got this I was surprised as according to Denis Gifford "Full colour issues 35~67 only" and yet this issue is full colour!  John McCail art.

On Golden Age Books and An Up-date On Pricing

Please note that the Ultimate Golden Age Collection cannot be reduced in price as it is sold at the bare minimum price.

And if there is one thing "Herr Professor" loves it is discovering and presenting long lost UK Golden Age (1939-1951) comic strips and characters from publishers such as Gerald Swan, Foldes, Denis M. Reader, Cartoon Art Productions and others.

Scanned and restored as best as can be considering the poor print quality of the rationing years -especially red, orange, yellow, blue and purple ink printing!

Ace Hart The Atomic Man!  The Tornado!  TNT Tom!  Dene Vernon!  Acromaid!  Cat-Girl! Bring 'Em Back Hank! Robert Lovett:Back From The Dead and so many other action heroes and humour strip characters -William A. Ward, Jock McCaill and a host of known and unknown creators contribute -either in single volume " 

Black Tower Gold" albums or all six collected into the 400+ pager -The Ultimate British Golden Age Collection!

The five separate volumes range from 68pp to 96pp each.  For well over 5 years they have been ridiculously priced at £6.00 ($8.00) which meant there was nothing in the way of profit or compensating for the amount of time and work put into each. And guess what? Absolutely no copies sold.  For that reason I have had to price them (still cheap) adequately so that they are each £8.00 ($10.00).  That still means you are getting better quality reproductions for far less money than an 8 pager or 12 pager comic from this period that may be moldy, torn or almost unreadable.

This is business.



Volume 1: http://www.lulu.com/shop/terry-hooper-scharf/black-tower-british-gold-collection-1/paperback/product-12183527.html

Volume 2: http://www.lulu.com/shop/terry-hooper-scharf/black-tower-british-gold-collection-2/paperback/product-12183569.html

Volume 3: http://www.lulu.com/shop/terry-hooper-scharf/black-tower-british-gold-collection-3/paperback/product-12183586.html

Volume 4: http://www.lulu.com/shop/terry-hooper-scharf/uk-gold-collection-4/paperback/product-12184087.html

Volume 5: http://www.lulu.com/shop/terry-hooper-scharf/black-tower-gold-5back-from-the-dead/paperback/product-12184231.html

The Ultimate British Comics Gold Collection

Ed. Terry Hooper-Scharf

A4

405 pages

Black & White

Perfect bound paperback

Price: £25.00

Ships in 3-5 business days.
 http://www.lulu.com/shop/terry-hooper-scharf/the-ultimate-british-comics-gold-collection/paperback/product-22041282.html

Combining volumes 1-6 (still available as individual issues but that works out far more expensive) of the BT Golden Age British Comics Collections (minus adverts) this is the ultimate for any Golden Age collector or historian or just plain comic lover.

Features....

Ace Hart

TNT Tom

Electrogirl 

Wonderman 

The Phantom Raider

Captain Comet 

Acro Maid

Phantom Maid

Dene Vernon

The Iron Boy

The Boy Fish

Professor Atom

The Tornado

Powerman

Wonder Boy

Slicksure

Masterman 

Dane Jerrus

Alfie

Tiny Tod

Maxwell The Mighty 

Back From The Dead

Zeno At The Earth's Core

Colonel Mastiff

Ally Sloper

Super Injun

Super Porker  (oo-er, no, Madam, ooh),

Tiger Man

King Of The Clouds

Captain Comet 

and MANY others!

Plus text features defining The Ages OF British Comics (Platignum, Gold, Silver), the artist William A. Ward and more.

If you knew nothing about British comics of the Platinum, Golden and Silver Ages then once you buy and read this book you'll be a goddam omic intellectual dinosaur! Yipes!

All in that beautiful Iron Warrior cover exclusively drawn for Black Tower by that meta-gargantuoso talented Ben R. Dilworth!

I sold my family to be able to get this book out! Help me buy them back by purchasing your very own 

whizz-o copy today!

The Decision And Why. It Needs Explaining.

 I apologise for the ramble, though. I did say I would be open and honest about publishing so...

Firstly, I will make it clear that my severe financial problems have not gone away. They are here and I face them every day.  Nothing has changed there.

What has changed I will explain. I had a very long conversation and discussion with Frank Barrell on Friday and went over why I had made serious decisions lately regarding publishing.

All the lack of sales print outs from the online store were laid out. In fact, every printout covering 2010-2017 was laid out.

I will paraphrase Frank’s points.

I started publishing in 1984 though I was involved in printing in the 1970s and had even put together a school magazine (the story of that and why it was banned as well as my selling copies of Oz magazine can be found in my QRD interview).

1. When the school mag was banned did I give up and just say “well that’s it then”?

2. When I worked with small and later larger US Independent publishers and got ripped off or messed about did I quit?

3. When I invested more than a month tailoring Heroes Of India for Diamond Comics in India –almost 50 pages of art, colour samplers and covers- and they decided to drop the idea without telling me…the same thing another Indian publisher later did…did I quit?

4. When I put in weeks of work drawing horror/ghost stories and later, at the suggestion of a senior editor, put together a D-Gruppe sampler issue for Bastei Verlag who were then taken over by Egmont and all work in progress dropped without telling creators, did I quit?

5. Did I quit over the constant, daily, troll emails as well as lies these same people put on UK comic forums from 1999-2016?

6. When Fleetway cancelled projects I worked hard on and then never paid me the £5,00+ it owed me for scripts, did I quit?  When the two editors at Egmont did the same thing did I quit?

7. Marvel UK-same thing. Did I quit? (no mention was made of me holding a Marvel editor out of the window. Good)

8. Did I quit when the two best selling adult graphic novels I wrote were allowed (the publisher never even attempted to step in) to be illegally downloaded millions of times?

9. Did I quit when one artist after another who I had helped get into comics (when I was a creators representative) cold shouldered me?

10. When a lawyer from Defiant Comics threatened to sue me because my Black Tower logo (used since the 1970s) was similar to their logo (1993) did I just back down and quit or did I tell him I looked forward to seeing him in court and to **** off?   The answer to that is obvious.

11. When an idiot at IPC Media and their legal department threatening the full weight of Warner (who owned IPC then) if I did not stop using my own characters (seriously) and did not pay for using characters in Looking Glass, which was a project submitted to IPC a few years before, did I back off and quit? (same as with Defiant but I was on good terms with management at IPC and later Warner told me they had no idea any of this had been going on)

12. Did I back off and quite when a number of other such incidents occurred (I am not giving details here because the people involved are either no longer here (alive) or nothing to do with the companies today)?

At this point I have to say that points 13-20 involved personal events so I won’t go into those.

The obvious answer was “No” to each point. 

So when I asked what the point was I was asked “Why are you being a ****** quitter now?”

Bit rude, but….

Yes, I took the point that I have been without money before.  Yes, in the 1980s/early 1990s I did often go 4-6 days without food (note to youngsters: in those circumstances tomato ketchup in hot water tastes fine. I also lived on one cabbage for a week. Drink plenty of fluids and when you get food do NOT eat like crazy!! Small amounts only to start).

It was pointed out that with over 90 books over 9 pages on the online store it was stupid to just close it down.  There were also 10 other books prepared waiting publication.  And hundreds of pages of The Green Skies so was I seriously going to dump all that?

Frank then pointed out that Comic Bits gets thousands of views per day and has a truly world wide audience –more countries from Africa recently appearing in the stats, too.

I pointed out I still review books and the counter point was that “reviewing does not earn you money!”

I pointed out that a lot of genres were covered by Black Tower and these were in comics, comic albums and graphic novels –excluding the prose books.  Artists had turned in fantastic work but showing that on CBO had not resulted in sales –and I was told quitting meant those creators were being let down.

I pointed to the lack of sales and a few other things but the response was that I had never quit before despite major problems so why was I quitting now? 

Paraphrasing again: “You are too ***** stubborn to quit.  You know that once this rough patch is over you’ll be like an express train again.  You think about it. Can you live with having quit?”

I get the point.  But, for the foreseeable future, what?   Yes, I will continue reviewing books as they arrive but beyond that--?

I was told that I needed to keep the idea of one day comic marts in Bristol even if not before 2018.  Again, depending on how many people want to book tables to just sell comics because last time I mentioned this I got no real interest.

The look and design of the Black Tower comics and books?  No. The covers have nothing wrong with them and the quality of contents and printing are excellent. Black and white is the best and affordable option –one of the books at the store is £5,75 in black and white. In colour that same book would cost £12.00+ (and remember I only get a small percentage since the printer and Print On Demand company take sizeable cuts –I have no real say in pricing).

The quality of the books cannot be improved upon.  Maybe Mr Dilworth can think of a new jazzed up Black Tower log?

Apart from that I can only wait and see. Flow through the rough waters.

But I really do not like to quit.  I have seen so many small publishers vanish or meet their ends in the last two years. I’m not sure how but I’ll dig my feet in. I guess at my funeral someone is going to say “He was a stubborn sod. Never knew when to quit!” Until then I will be that old bearded man people point out but hope I never notice.

Black Tower Super Heroes

The final covers for Black Tower Super Heroes 2-7 have now been completed. The reason for the slight delay is simple: it has always been Black Tower policy that no title gets published unless all parts of any multi-part serial are completed.   That has now been done.

All issues are 80 pages, Black & White, A4 (Comic Album) format and will feature British Golden and Silver Ages strips as well as newer material and strips from the old Adventure (vol 1) zines of the 1980s.

The Golden Age material features The Iron Warrior,Madame Foretell, Dene Vernon, Halcon Lord of the Crater Land and many others.
All contents conform to the law as laid down by HM Copyright Office.

The cover price as well as publication dates (monthly) have not yet been decided upon.

There is an issue 8 and that is designed to lead straight into The Green Skies.  It should also mark 34 years of publishing and an end to BTCG anthology titles

It is hoped that BTSH 1-8 and The Green Skies will see publication in 2017.  All books will then remain available at the online store until December 2018 which will see the store terminated.